Currently
Running at Theatre J, DC The Seagull on 16th Street
Youth is envied, challenged and mortally wounded in this classic by the
great Russian master. Inspired by Louis Malle's Vanya on 42nd Street,
our own 16th Street provides the stage for a journey back to the
Russian countryside in this
tale of love and loss, with laughs and
heartbreak. MORE
- PRESS / PHOTOS
What emerges under
the confident direction of John Vreeke (who helmed Forum’s much-loved
Last Days of Judas Iscariot last year) is crisp, funny, and ably
performed. It’s also inflected with an extra shtikl of comic energy by
artistic director Ari Roth’s adaptation. - Washington
CIty Paper
John
Vreeke’s direction is crisp with a speedy sense of time even with a
stage clock in the audience’s view stuck at 8 PM. He has blocked this
work so that the stage is filled not just with objects but with life. - Potomac
Stages
Director
John Vreeke astutely goes with a more contemporary vibe by unleashing
the cast like a spirited team of horses to provide a more lively
interpretation than usually seen, and the actors take full advantage of
the opportunity. - DC
Theatre Scene
Playwright Roth's rejigging of the
script, is helped along immensely by director John Vreeke, who
understands that while Chekhov deliberately labeled this work a comedy,
tragedy is never distant. - Washington
Jewish Week
Director
John Vreeke has assembled a cast of solid actors, some of whom...strike
a winning connection with Chekhov. - Washington Post
Scenes
from "The Seagull on 16th Street"
Recently Staged Productions
HEROES
at MetroStage
Written
by Gerald Sibleyras Translated by Tom Stoppard Directed by John Vreeke
Three
soldiers in a Parisian veterans' home pass the time with tales that are
at once
achingly funny and piercingly sad. Tom Stoppard offers a
brilliant new
translation mixing comic curmudgeonry, camaraderie and
nostalgia. MORE ON HEROES - PRESS / PHOTOS
"Heroes"
-- confidently directed by John Vreeke -- hooks you more surely than
many a play that has a taut, flashy story line."
- The
Washington Post "Vreeke takes the cast
through the play
with the grace of classical musicians performing an etude."
- The
Washington
Times
"Vreeke...had
a recent MetroStage audience shouting with laughter when they weren’t
literally poised on the edge of their seats..."
-Washington
Examiner
"John
Vreeke directs the production and imbues it with his eerie sense of
timing"- DC
Theatre Scene
"Four-time Helen Hayes Award nominee John Vreeke returns to MetroStage
to direct Heroes" - Alexandria
Times
Nominated for 5 Helen Hayes Awards:
BOOM
Outstanding
Director, Set Design, Sound Design, Supporting Actress and Supporting
Actor Nominees .
Woolly Mammoth Theatre Company must have fun sorting
through the latest
batch of weird, because they've unearthed a grandly wacked-out
apocalypse fantasy in Peter Sinn Nachtrieb's "Boom".
This is
boy-meets-girl stuff that's not just twisted, but gleefully torqued.
Jules
is a lonely marine biology grad student who's just placed a racy
personal ad online; Jo is the randy journalism major who's answered the
call. Yet Jules is oddly reluctant, and the offbeat, high-strung Jo
keeps passing out as she tries to leave his strange biology
lab-cum-dorm room.
Oh, and there's a crazy lady on a
balcony, who's overhead pulling levers and occasionally talking to us
like a "Twilight Zone" version of the Stage Manager in "Our Town."
"That is enough to
send director John Vreeke and his inspired team
heavenward..." .
"It seems right,
somehow, that the most dazzling play of the year was about a titanic
battle with despair":
Helen
Hayes Awards 2009 Nominee for
Outstanding
Ensemble
.The
Last Days of Judas Iscariot
Stephen Adly Guirgis's play placed
in a courtroom in present-day
purgatory, the Bible's greatest and most unexplained villain is on
trial. Both comedic and touching, Guirgis' play asks us if we are
capable of true forgiveness and real compassion. MORE
"Director John Vreeke is a master at
restraining and astutely illuminating verbose plays, and this is
perhaps his most satisfying effort, a production that probes the
intellect, prickles the conscience and ignites the soul." - Washington
Times
"It
should not astonish you to discover that John Vreeke directs this
production. Whenever a play delivers a powerful emotional message - be
it The
K of D at
Woolly Mammoth, or Bal
Masque at
Theater J, - we seem to find
Vreeke’s hand at the helm. He has done his customary excellent work here." - DC
Theatre Scene
"...John
Vreeke’s
superb ensemble: I saw you in that thrillingly written, urgently
performed, crassly funny, somehow heartbreaking play last week, and
damn if you didn’t actually make a critic cry." - Washington City Paper "John
Vreeke seems at his best when directing plays with strong intellectual
questions at their core..." "Clearly, he's no stranger to
intellectual theater."-
Potomac
Stages
"Forum
Theatre's exhilarating production of "The Last Days of Judas
Isacariot", a preposterously entertaining play..." -
Washington
Post
Staged for the young
companies at Forum and Alliance. Played
to Sold Out Performances - Re-Opened at H Street Playhouse in December
Boom
Chinese Elvis
Lady Chatterley's Lover
Born Guilty
UPCOMING
PROJECTS: .
.
The Caretaker
by Harold Pinter
Opens
September 16, 2009
"Directing a Pinter play is like working with the top language expert
in the English language… no one knows how to put together sentences and
pauses better than Pinter. The experience of The Caretaker is not a
comfortable, romantic one. It pulls the audience into an emotional
roller coaster as it depicts the realities of human nature and presents
a not so pretty picture of times gone by and our times. The complexity
of the play, Pinter’s masterful use of dialogue, and the depth and
perception shown in Pinter’s themes all contribute to The Caretaker’s
consideration as a modern masterpiece. How often do you get to do a
‘modern masterpiece’?” -John
Vreeke
March off to an apartment in urban America for an affecting and
gripping look at the fallout of war on our most intimate relationships
with the Northwest premiere of Dying City by Christopher
Shinn. This gripping, psychological drama was a finalist
for the Pulitzer Prize, and is a tour-de-force for two actors.
When a young man goes off to war, his death thousands of miles away has
rippling effects on those he leaves behind. Kelly, his widow, is
a therapist who watches Law and Order because “the mystery of a
death is solved and therefore symbolically reversed.” But when her dead
husband’s twin brother shows up unexpectedly, what she believes to be
true is called violently into question. Is the “closure” we seek after
a death just an American myth?
Gruesome Playground Injuries
May 17th - June 13th, 2010
Two
eight-year-olds’ lives collide in the nurse’s office: Doug rode his
bike off the roof and Kayleen can’t stop throwing up. As they mature
from accident-prone kids to self-destructive adults, their broken
hearts and broken Bones draw them ever closer. These two rebels
may only be fit for one another. But how far can one person go to heal
another’s wounds?
RECENT PROJECTS
Conducted
on-going Acting for Camera Workshops and Scene Study Workshops for "The
Workshop" at Woolly Mammoth Theatre Company
---
Resident
Director for ART with the National Conservatory of Dramatic Arts.
---
Manager of the Washington Theatre
Legacy Project - the education outreach program for the Helen
Hayes Awards Society.
2008 ALSO INCLUDED:
In August
2008, directed the student ensemble at the National Conservatory of
Dramatic Art in:
August
8th - 17th, 2008
2007 ALSO INCLUDED:
Directed World Premiere of:
"Ariel Sharon Hovers
Between Life and Death and Dreams of Theodore Herzl" at Theatre J. Capital Fringe Festival. 7/07
---
Directed
the annual benefit gala for the Imagination Stage. 10/13/07
---
Wrote
and
produced a video tribute
for Francis Sternhagen at the annual Helen Hayes Awards ceremony.
4/16/07
---
Stage
Director for "Jazz in OurTime"
in the Concert Hall at the Kennedy Center, a gala and ceremony to
honor 40 of the country's greatest Jazz Musicians and Artists. 3/3/07.
---
Directed "Shakespeare's
Will", a
new play, at the Canadian Embassy for the 2007 Shakespeare in
Washington Festival.
* * * * *
* SHOWS
DIRECTED - In Order of
Most Recent * * * * * *
.
.
The
Seagull
On 16th
Street
This classic provides the stage for a journey back to the Russian
countryside in this tale of love and loss, with laughs and
heartbreak.
Kushner’s epic drama of Afghanistan as seen through the
eyes of a troubled British family in search of a mother who has
mysteriously vanished in the country.
Ariel Dorfman’s statement of world wide oppression seen
through the eyes of three people intimately involved in the Chilean
dictatorship and the resulting reign of terror.
The 15 year reunion of an extraordinary mix of Spanish Harlem school
friends as they grieve the death & disappearance of the Sister who
raised and taught them.
DH Lawrence’s most popular story of the privileged Lady
Chatterley’s love affair with the Games Keeper and the affect on
her marriage to the wheelchair bound Clifford Chatterley.
Second and third generation children of Nazi’s and how they deal with
their guilt as seen through the eyes of Jewish author, Peter
Sichrovsky, from his novel of the same name.
A McCarthy era satire about how three couples,
including Joseph McCarthey’s daughter, a young Jewish scientist, a
Russian defector and a detective all find each other.
Stage Director for “Jazz in Our Time” in the Concert Hall at the
Kennedy Center…a gala extravaganza and ceremony to honor 40 of this
countrys greatest Jazz Musicians.